Review - 2021, Hyperallergic, John Yau

Review - 2015, ArtPulse Magazine, Jason Hoelscher

Review - 2014, Hyperallergic, Patrick Neal

Review - 2014, artcritical, Matthew Farina

Review - 2014, Arte Fuse, Oscar Layulan

Review - 2014, Art New England, Robert Moeller

Review - 2014, Boston Globe, Cate McQuaid

Review - 2013, Artforum, Wendy Vogel

Review - 2013, Hyperallergic, Jillian Steinhauer

Review - 2013, Boston Globe, Cate McQuaid

Review - 2012, The New Yorker, Andrea Scott

Review - 2012, New York Magazine, Jerry Saltz

Review - 2012, Hyperallergic, Howard Hurst

Review - 2012, Modern Painters, Daniel Kunitz

Review - 2012, The Brooklyn Rail, Kara Rooney

Review - 2012, SVA: Art Writing MFA, Matthew Farina

Review - 2010, Art Agenda, Colby Chamberlain

Review - 2010, Art in America, Fay Hirsch

Review - 2010, The New York Times, Roberta Smith

Review - 2010, New York Magazine, Jerry Saltz

Review - 2009, The New York Times, Roberta Smith

Review - 2009, FlashArt, Amanda Church

Review - 2009, Art in America, Lyra Kilston

Review - 2007, The New Yorker

Review - 2005, The New York Times, Ken Johnson

Review - 2005, The New York Times, Ken Johnson

Essay - 2014, Minimalism, Maximalism, and Judd as Model, Patrick Neal

Essay - 2014, Franklin Evans: A Moment of Complexity, Leonie Bradbury

Conversation - 2013, Brooklyn Rail, Greg Lindquist

Exhibition Essay - 2010, MoMA PS1 - Greater New York, Klaus Biesenbach, Connie Butler, Neville Wakefield, Christopher Y. Lew

Conversation - 2010, BOMB, Richard J. Goldstein

Essay - 2011, New American Paintings, Evan J. Garza

Essay - 2015, New Models, Strange Tools, Raphael Rubinstein

Exhibition Essay - 2013, de Cordova Sculpture Park and Museum - Paint Things, Dina Deitsch, Evan J. Garza

Conceptual Review - 2014, YELP, Brian Droitcur

Visual Collaboration - 2017, BOMB, with Paul David Young